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Unique Accidentals: 2
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pental
Handel Gigue Siebente Suite in g moll - HWV 432
pental
1:52 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
 
II. Quem Vidistis Pastores Dicite F. Poulenc
pental
2:25 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
AltoS Treble 15 8 5 7 100%
Tenors Treble 16 0 4 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
AltoS Treble 15 8 5 7 100%
Tenors Treble 16 0 4 7 100%
Soprano Treble 15 3 5 7 91%
Basses Bass 13 0 2 6 68%
 
B. Bartok, For Children, Vol. 1, Nr.27-Jest, Sz42
pental
1:29 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 6 2 3 78%
Bass 18 11 4 3 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 6 2 3 78%
Bass 18 11 4 3 94%
 
Paradis_Maria_Theresia_von_-_12_Lieder_1786_No.1_-_An_das_Klavier_-_TEMPLATE
pental
0:45 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte 11 11 0 6 80%
Pianoforte Treble 0 0 0 0 0%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte 11 11 0 6 80%
Pianoforte Treble 0 0 0 0 0%
Bass 13 4 2 4 79%
Voice (Soprano
clef)		 20 0 1 6 89%
 
O Harp Of Erin L. Van Beethoven
pental
2:13 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 21 4 3 5 100%
Bass 21 8 2 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 21 4 3 5 100%
Bass 21 8 2 3 100%
Voice Treble 9 0 0 7 81%
Violoncello Bass 18 1 2 5 79%
Violin Treble 20 0 0 6 77%
 
Missa "Au travail suis" Benedictus Johannes Ockeghem
pental
1:34 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 2 6 71%
Tenor Bass 13 0 2 7 68%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 2 6 71%
Tenor Bass 13 0 2 7 68%
Superius Treble 9 0 2 5 50%
Altus Treble 7 0 0 7 48%
 
Missa brevis Sancti 06 Agnus Dei
pental
3:02 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 22 5 5 4 100%
Violino
II		 Treble 19 0 5 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 22 5 5 4 100%
Violino
II		 Treble 19 0 5 4 100%
Organo Violoncello e
Basso		 Bass 18 0 2 4 96%
Basso Bass 17 0 2 4 77%
Alto Treble 14 0 4 5 75%
Tenore Treble 10 0 1 4 75%
Soprano Treble 18 0 5 5 73%
 
Morgen- Richard Strauss op.27 N°4
pental
3:26 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 24 4 7 100%
Bass 26 11 5 7 100%
Voice Treble 11 0 2 7 55%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 24 4 7 100%
Bass 26 11 5 7 100%
Voice Treble 11 0 2 7 55%
 
Missa "Au travail suis" Sanctus Johannes Ockeghem
pental
2:08 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 10 0 3 7 82%
Altus Treble 11 0 1 6 78%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 10 0 3 7 82%
Altus Treble 11 0 1 6 78%
Bassus Bass 14 0 2 6 73%
Tenor Bass 9 0 1 6 67%
 
Take, O take those lips away. Roger Quilter
pental
1:05 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 38 5 5 91%
Bass 21 12 2 5 100%
Flute Treble 10 0 2 7 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 38 5 5 91%
Bass 21 12 2 5 100%
Flute Treble 10 0 2 7 71%
 
Under the Greenwood tree Roger Quilter
pental
1:40 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 25 52 6 5 96%
Bass 29 36 6 6 98%
Flute Treble 10 0 2 6 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 25 52 6 5 96%
Bass 29 36 6 6 98%
Flute Treble 10 0 2 6 76%
 
1-Loveliest of trees from A Shropshire Lad Butterworth George
pental
0:01 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 27 37 5 9 82%
Bass 30 16 8 7 72%
Voice Treble 12 0 2 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 27 37 5 9 82%
Bass 30 16 8 7 72%
Voice Treble 12 0 2 6 73%
 
Sweet honey-sucking bees John Wilbye (1574-1638)
pental
2:11 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 3 6 93%
Tenor Treble 12 0 3 6 93%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 3 6 93%
Tenor Treble 12 0 3 6 93%
Soprano
I		 Treble 13 0 3 6 81%
Treble 10 0 2 6 87%
Bass Bass 12 0 2 6 52%